Personnel includes: B.B. King (vocals, guitar, piano); Albert Collins, Robert Cray (vocals, guitar); Bobby "Blue" Bland (vocals); Mac "Dr. John" Rebennack (guitar, keyboards); Jesse Ed Davis, Joe Walsh, Cornell Dupree, Irving Ashby, Dean Parks (guitar); Hank Crawford (alto saxophone); Red Holloway, David "Fathead" Newman (tenor saxophone); Johnny Board, Bobby Forte, David Sanborn, Howard Johnson, Melvin Jackson, Walker King (saxophone); Snooky Young, Waymon Reed (trumpet); The Memphis Horns (horns); Paul Harris (piano, organ, keyboards); Leon Russell, Lloyd Glenn (piano); Duke Jethro (organ); Klaus Voorman, Val Patillo,Leo Lauchie, Wilber Bascomb, Richard Cousins (bass); Ringo Starr, Jim Gordon, Sonny Freeman, Jim Keltner, Bernard "Pretty" Purdie (drums).
U2: Bono (vocals); The Edge (guitar, keyboards); Adam Clayton (bass); Larry Mullen, Jr. (drums).
Producers include: B.B. King, Dave Crawford, Dennis Walker, Esmond Edwards, Johnny Pate.
Compilation producer: Andy McKaie.
Recorded between September 1962 and 1998. Includes liner notes by Mark Humphrey.
Digitally remastered by Erick Labson (Universal Mastering Studios-West, North Hollywood, California).
MCA's double-disc set Anthology is a bit of a blessing, actually, a welcome entry to B.B. King's extensive catalog, since the last half of his career has not been anthologized often (it was most notably on the box set The King of Blues). Once King's career entered the '70s, he never lost his way, but his recordings became uneven. The situation didn't improve in the '80s or '90s, either -- he was always reliable, but the records could either be too slick or uninspired or just solid journeyman efforts. Anthology does a terrific job of consolidating the years between 1963 and 1998, his time at ABC and MCA, respectively. Smartly, the compilers lean heavily on the '60s and early-'70s material, with only a handful of tracks from 1980-1998. There are certainly some terrific tracks missing, but by concentrating on his great recordings of the mid-'60s, plus the work that just followed it, they wind up with not just a very enjoyable compilation, but one that's a testament to B.B.'s talents as a guitarist, vocalist, stylist, and showman. This, in conjunction with a compilation of early Flair recordings and Live at the Regal, provide a better history of the great bluesman's career than his box set. ~ Stephen Thomas Erlewine minimize