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Album Description: Personnel: Thomas Mars (vocals); Christian Mazzalai, Laurent Brancowitz (guitar).Audio Mixer: Julien Delfaud.With its third album, French pop group Phoenix heads away from the dance floor and toward a crisp, guitar-based sound more in line with the Strokes. While the... read more

Personnel: Thomas Mars (vocals); Christian Mazzalai, Laurent Brancowitz (guitar).
Audio Mixer: Julien Delfaud.
With its third album, French pop group Phoenix heads away from the dance floor and toward a crisp, guitar-based sound more in line with the Strokes. While the lighthearted 1980s-flavored beats that make Phoenix's music so enjoyable are still in place, they are carefully countered with a jangly slacker aesthetic. IT'S NEVER BEEN LIKE THAT may not pop with anything as catchy as their early single "Too Young," but it does offer a consistency lacking on 2004's ALPHABETICAL and 2000's UNITED. Only the opening track, "Napoleon Says," seems out of place, its initial notes recalling the Yeah Yeah Yeahs' hit "Maps." Later tracks like "Rally" and "Long Distance Call" prove that the band is capable of mixing this newly relaxed style with Thomas Mars's infectious, Nilsson-esque vocals in a way that is simultaneously accessible and progressive, creating a tension with the band's typically clean production that gives the album an interesting energy.
With its third album, French pop group Phoenix heads away from the dance floor and toward a crisp, guitar-based sound more in line with the Strokes. While the lighthearted 1980s-flavored beats that make Phoenix's music so enjoyable are still in place, they are carefully countered with a jangly slacker aesthetic. IT'S NEVER BEEN LIKE THAT may not pop with anything as catchy as their early single "Too Young," but it does offer a consistency lacking from 2004's ALPHABETICAL and 2000's UNITED. Only the opening track, "Napoleon Says," seems out of place, its initial notes recalling the Yeah Yeah Yeahs' hit "Maps." Later tracks like "Rally" and "Long Distance Call" prove that the band is capable of mixing this newly relaxed style with Thomas Mars's infectious, Nilsson-esque vocals in a way that is simultaneously accessible and progressive, creating a tension with the band's typically clean production that gives the album an interesting energy. minimize
 
 

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